Industry Background: Education: MA in Social Work, University of East London / The Tavistock and Portman NHS Foundation Trust, Acting Training, Webber Douglas Academy of Dramatic Art, BA in Political Theory, Middlesex University. As an Actor worked mainly in TV and Theatre. Extensive voiceover catalogue in media & business, including radio, continuity, telecommunications and corporate video voiceovers. Clients with global brands include the BBC, BBC World Service, Google, The Body Shop, MTV, VO5, B&Q and more.
Current work: Ongoing Voice Over work in areas stated above.
Audio Committee: First year on the committee and looking forward to working
with the team. The Audio Committee to produce robust data research on Artists with protected characteristics within the Equality Act 2010. As a black woman of African heritage working as a professional Voice Over Artist, passionate and committed to Equality, Diversity & Inclusion. To improve rates and to implement strategies, making the Voice Over community more inclusive and diverse, reflecting UK society.
Industry Background: Trained at Mountview Theatre School and have worked as an actress for 30 years on stage, TV, film and commercials. Nearly 10 years in the audio industry working on audiobooks and corporate voiceovers.
Current work: As well as being as an actress, I also facilitate literacy and drama workshops and work as a facilitator/coach with companies on their communication techniques, through role-play, forum theatre and coaching. I work one to one with individuals to hone their presenting skills and I have recently volunteered with the fantastic ‘Scene and Heard’ on their mentoring projects. I am a mother and a carer.
Audio Committee: Being relatively new to the audio world, I feel that I’m in a good position to bring my experience of the challenges encountered on entering this booming industry to the committee. I hope that we can tackle the continuing exploitation within the voice world, and offer practical advice on how to negotiate fair rates of pay and acceptable contracts and usage. On the committee, I am working on updating the Equity Audio Guide and I am on the working parties for TV Commercials and Audiobooks.
Industry Background: BA in English Literature from Newcastle University. Previous work on stage includes Macbeth (The Globe), Hamlet (Bord Gais, Dublin), David Copperfield (Colchester Mercury) and plays at The Gate, Tamasha, The Orange Tree, Theatre 503. Film work, the lead in RTS nominated ‘If’, writer producer of PilotLight 2019 finalist ‘Back in the Day’. Audio work includes extensive radio work as part of BBC Radio Drama Rep Company 2017 – 2018. Voiceover work for Childline, Tesco, ASDA, HSBC.
Current Work: Appearing at The Vaults in drag panto Aladdin and the Feast of Wonders from Oct – January 2019, Pigeons Before Profit for LeftFest and a day job at a GP
On the Committee: I am very pleased to have joined the Audio Committee. As a Eurasian British East Asian, I am committed to supporting diversity across audio. I am particularly passionate about encouraging uptake for the most under-represented ethnic minority performers and actors with disabilities. I would like to focus on working with various theatre companies and arts groups to educate younger people about the option of audio and will be working closely with BBC Radio Drama alumni to promote all audio work and encourage more inclusion within it.
Industry Background: Trained at the Guildhall School of Music and Drama and joined Equity in 1985. I have worked extensively in theatre, television, film and radio drama as an actor and as a commercial voice artist for the last 20years. I set up my own production company in 2001 and have produced and written radio commercials and also directed and produced a number of video commercials and corporate films for a diverse range of clients.
Current Work: Full time actor and voice artist. Voice: TV and radio ads, e- learning, IVR, animation, corporate/explainer videos and narration for a global client base.
On the Committee: I was elected to the audio committee in 2017 and previously served on a working party for radio commercials from 2003 to 2005. I want to see Equity transition successfully into their arrangements with employers in the digital realm and to help ensure that fair pay and terms for artists in all areas of audio work are both preserved and improved upon.
David John (Audio Seat on Council and Observer Role on Audio Committee)
Industry Background: I studied at Arts Educational School. My work in Theatre includes The Royal Shakespeare Company, West End, National Tours and London Fringe. TV work includes Play for Today, BBC Playhouse, various Sit Coms and Dramas including Sherlock Holmes, The Bill and Dr Who. Film work includes Chariots of Fire, Shock Treatment and Remembrance. I’ve been in the industry for 37 years.
Current work: Exclusively in Audio. I work regularly in ADR and Revoicing, ELT, Audiobooks and Computer Games.
On the Committee: I first stood for the Audio Committee to represent Audio Actors and to defend and improve our hard fought rates in ADR and ELT and to support Equity’s hard work on Audiobooks.
Sheila Mitchell (Committee Chair)
Industry Background: Member of Equity since 1949 although took a career break of 20 years to bring up a family. Trained at Central School of Speech and Drama. Worked in theatre – Rep; Fringe; West End and Touring; -TV and Film; Audio – extensive Radio, drama, schools, poetry, book and short story reading; commercial voice overs and audio-visual narration; audio books
Current Work: As above, although audio books nowadays provide the bulk of work for me
On the Committee: I Became actively involved with Equity in the late 1970s and was first on Council in the early 1980s then again 2008-2012. Joined the Audio Committee late 1990s, later serving as Vice-Chair and am now the Chair. With the proliferation of Audio the committee has become more and more important and I feel privileged to be working with a group of very dedicated members almost all of whom are much younger than I am.
Industry Background: Trained at Drama Studio London in Professional Acting and the National Broadcasting School as a radio presenter. Worked for over 10 years in commercial radio where I produced and mixed for the longest running commercial radio dance show. Since graduating in 2013 i’ve been professionally acting. My theatre work includes new writing nights for Blackshaw, Ghost Dog Productions and New Prose. Screen work includes corporate and short films. Voice over includes commercials, corporate reads and animation.
Current Work: Full time actor and voice artist. Voicing commercials for TV, radio and corporates. As well as organising and running my own actors workshops with fellow actors.
Audio Committee: My first year on the committee and looking forward to it. I’m standing for better pay, rights and conditions for voice artists. To educate our employers and hirers about our world we work in.
Industry Background: Started as a member of a children’s radio drama team in the U.S. when flares and platforms were cool. In the UK, I worked from my teens as a radio presenter, reporter and producer, moving into full-time voice work in 2005.
Current Work: Radio & TV commercials, e-learning, corporate videos, audio books, documentary narration, IVR
On the Committee: In order to play an active part in representing audio artists within the Union and in the industry at large, and to help members connect with Equity and each other.
Industry Background: Education; BA English, University of Toronto; Bristol Old Vic Theatre School
Worked several years in theatre, television and all areas of audio work. I have a special interest in audiobooks, both as reader and in production. I’ve been a member
of the Audiobooks Working Party for ten years and am enthusiastic about home studios for recording audiobooks and voiceovers.
Current work: ‘The Oedipus Plays’ audio drama for Audible, ‘Florence Foster Jenkins’ film, ‘Bo’s Bazaar’ animaton, and many audiobooks.
Audio Committee: I want to see every area of this expanding industry recognized and properly remunerated, to continue to promote radio drama and to help improve working conditions for audio artists.